Thursday, May 10, 2012

The Adventures of Self-Publishing

Why does a writer decide to self-publish? There are probably many, many reasons why, from not having an agent, nor a publisher, or simply just wanting to have complete control over the process. When I decided to publish Three Merry Mysteries, I chose to do it simply because I wanted to see how the process works. I selected five short stories I had written, three of which were mysteries, and then added two bonus short stories to make a total of 34 pages. The book size I chose was 6” x 9”. My word count was 9,300.

Two other local authors and I have been tossing around the idea of publishing a short story collection that we would write, edit and self-publish together. Our hope was to add it to our own authored books that we could sell at local art festivals and shows in Pennsylvania.

Let’s be clear: I am semi-literate to the world of computers. I understand the basics of most Microsoft Office software, but I’m no computer guru. That’s why I chose Createspace.

I was surprised by the ease in which Createspace took you through the steps of completing what I considered a daunting task. First, you must set up an account with them and give a title to your fiction or nonfiction work. From then on, the Createspace page actually prompts you through the process, using a nifty dashboard.
 
If I were to give anyone advice about the entire process, I would include the following main points.
  • Make sure your copy is flawless, error-free and grammatically perfect
This is important since you will have the opportunity at the end to proofread your copy, using an online preview or having a printed (hard) copy sent to you. If you discover mistakes, you must start all over again and make the corrections. This will also require that you to resubmit and wait for Createspace to review it each time. 
  •  Have an idea for your cover art before you attempt the process       
  • Chose your cover colors carefully
There are many beautiful, standard cover templates that are available at no cost, and that can easily be changed to the colors of your choice. Since the first short story in my mystery collection was about windmills, I went on dreamstime.com and purchased a picture of three windmills for a nominal price. If you’ve not discovered dreamstime.com, go there just to view the most gorgeous photography for sale.

I would caution everyone to order a proof copy, even if you must wait for it. This allows you to see what the book will look like before you submit it for final approval. What I also learned is that light colors often fade onto light backgrounds of web pages. I actually ended up changing my basic cover background color from ice blue to gray for this reason alone.

Everyone asks the cost. A custom 13-ISBN# costs $10.00. If you choose Expanded Distribution it will cost $25.00 more. And, if you choose Kindle Ready conversion, add $69.00. Bottom line: Everything could only cost as little as $10.00 for the custom 13-ISBN# (which I recommend) or $104. I did choose Kindle Ready conversion because I did not feel comfortable doing the electronic version, but later learned it wasn’t that difficult. I also felt that I couldn’t put a price on dodging a headache.

Am I going to tell you that it’s quick, easy and fun? Absolutely not. It’s frustrating at times, but it’s fun to see it evolve and finally come together. The one thing I learned is that there’s always a phone number to call if you need help, and Createspace has pages of online information to nudge you along on your adventure of self-publishing.

If you’d like to see my finished product, go to www.amazon.com/Three-Merry-Mysteries-Million-Diamonds/dp/0615625673/ and use the “Search Inside This Book.” It will not only show you the basic set-up, but it will allow you to read the first mystery, “A Sticky Affair,” for free!

Saturday, April 21, 2012

Three Merry Mysteries

             Now available on amazon.com . . . 

THREE MERRY MYSTERIES
A Sticky Affair
Million Dollar Murder
Diamonds Aren't Forever

THREE MERRY MYSTERIES is a collection of three, quick read "Whodunit" mysteries and two bonus short stories. 

In a STICKY AFFAIR, Vicky Hanson wants desperately to move from her tiny, gaudy-looking apartment, but her fiance, Ronald, has embezzled $100,000 of company money and left her with some whopping debt. To add to the chaos, Ronald's obnoxious stepsister is insisting that Vicky help her find the location where her brother hid the money.

The Baker sisters in MILLION DOLLAR MURDER inherit two million dollars. Bernice generously donates her money to the local school and leaves for a European tour with her niece. The other sister, Lydia, is killed days later. Who killed Lydia and why?

In DIAMONDS AREN'T FOREVER, Eleanor bakes Great Aunt Katherine's diamonds into muffins to put them on ice until she can unload them for money. Will she be successful?

This collection also contains two bonus short stories: THE GIRL NEXT DOOR and THE WAGER. These two fun-filled tales are about a girlfriend's antics in reaction to a former boyfriend's marriage and a father's devotion to his daughter who's about to become married.

Visit me on the web: www.judyanndavis.com


Friday, April 13, 2012

No Appetite for "The Hunger Games"

Okay, I just finished the last book of The Hunger Games, and I tried so hard to like the series since everyone was raving about them. The movie version is breaking box office sales.

It’s no secret that the storyline of the three books is based on a violent dystopia society with a the cast of characters who are brutal, shallow and psychopathic. I personally believe that throwing a bunch of kids, age 12-18, into an arena to fight each other until death is barbaric, inhuman and just morally wrong, unless there is a lesson to be learned. The use of gore, cruelty and torture for shock effect doesn’t impress me as a reader. I suggest parents of younger teens should read these books first.

I was disappointed in the heroine, Katniss Everdeen. Her personality lacked depth. She isn’t particularly good at anything but hunting with a bow and arrow. She doesn’t follow orders, she isn’t a visionary, she doesn’t make hard decisions or think for herself. She lets things happen. She’s often clueless, and she’s manipulated by her mentor, friends, rebel forces and others around her. Many times she’s overbearing and rude to her peers, but almost cowardly in her ability to interact with others. Katniss was forever running away when she was recovering from a traumatic situation—climbing into closets, behind pipes, under her bed covers or fallen plasterboard and other lonely places like the forest.

Ironically, I was also waiting for the author to instill some moral or ethical lesson, or give a few redeeming traits to the heroine that would have a positive effect on young adults reading the series. It didn’t happen. And this is where I think the series fail. Katniss never really felt sorry for the other tributes who were killed, besides Rue who she befriended. She continued to be tiresome, boring, sulky, and self-centered throughout the next two books. She was also continually eating something—even when others were dying around her. Even more weird is that she is the person chosen to be the symbol of the revolution!

Her interest in the love triangle and with either young men was lukewarm at best. The duel poisonous, berry-eating scene at the end of the first book is a typical Romeo and Juliet ending, and it tells us what? Suicide is the way to overthrow, manipulate or escape an oppressive government. Really?

I also thought the plot was contrived. Whenever there was a problem in the games, the rules were changed or gifts were parachuted in to help the characters get out of their pathetic situation. All the silly antics of wearing some of the various gowns, modeling six wedding gowns and use of extreme make-up/makeovers were thrown into the storylines because young adults, especially females, are enthralled with fashion, their physical looks, and the desire to be noticed.

I honestly tried to like The Hunger Games. . .I really did. I just couldn’t get hooked.

Friday, March 23, 2012

The Boxcar Children and Me


Everyone has a story about how he or she was hooked on reading. Looking back at my youth, I believe most writers concur that there is a certain memorable time in our lives when our interest in reading was inordinately piqued with a book or series of books. I believe that many adult writers were curious children who were fascinated with reading at an early age.

For me, it was when my second grade teacher, Mrs. Bernice Robbins, introduced our class to the Boxcar Children series. Religiously, every afternoon, Mrs. Robbins made it a point to read aloud a chapter or two of the series, by Gertrude Chandler Warner, author and a first grade teacher as well. The original work was published in 1926, then reissued in 1942. Gertrude Warner wrote the first nineteen stories while other authors continued the series, updating them with present day settings.

What is so special about this particular series? It’s an adventurous story of four orphaned children who create a home in an abandoned boxcar in the forest. They are forced into this situation after they seek permission to stay overnight in a bakery, but overhear the baker’s wife say she'll keep the oldest three, but will send Benny, the youngest, to an orphanage. The children are afraid of their grandfather and legal guardian, James Alden, erroneously thinking him to be cruel old man.

The Alden children, ranging in ages from fourteen to six years old, furnish their boxcar with items retrieved from a local dump. They also befriend an injured dog with a thorn in his paw who Benny names Watch. Henry Alden, the oldest, is able to keep the children together and fed by working at odd jobs in a nearby town. The girls, Violet and Jessie, are skilled in cooking and sewing.

Ironically, many librarians of this time felt that the children in the series were having too good a time without parental control, but Gertrude Warner believed that this was the reason children were attracted to the stories, many of which were written as mysteries and many of which the Alden children, as amateur sleuths, were instrumental in helping to solve. I tend to agree with the author. As a seven year old, I felt it was both exciting and scary to be on your own, hidden away in a rail car that’s furnished only by your own ingenuity. My personal fear that the children would somehow be discovered and sent back to an orphanage kept me intrigued and hanging on to every word in every sentence. Later, the mysterious plots and antics of the (unsupervised) children were the invisible threads that kept me engaged in their lives and in reading.

If you have not read any books from the Boxcar Children series, I encourage you to pick up a copy and do so. Find a young person and share the story with him or her. If you have read any of these glorious tales, drop me a note and tell me your favorite title or your favorite character. Or tell me the moment you were hooked on reading!